Historical evidence for Gilgamesh's existence is found in inscriptions crediting him with the building of the great walls of Uruk (modern day Warka, Iraq) which, in the story, are the tablets upon which he first records his great deeds and his quest for the meaning of life. As for the plot structure of the epic as a whole - the forceful and fateful episodic drama of the restless, adventurous hero and his inevitable disillusionment - it is definitely a Babylonian, rather than a Sumerian, development and achievement. They so modified its content and molded its form, in accordance with their own temper and heritage, that only the bare nucleus of the Sumerian original remains recognizable. In no case, however, did the Babylonian poets slavishly copy the Sumerian material. Even in those episodes which lack Sumerian counterparts, most of the individual motifs reflect Sumerian mythic and epic sources. Of the various episodes comprising The Epic of Gilgamesh, several go back to Sumerian prototypes actually involving the hero Gilgamesh. Regarding this, the Orientalist Samuel Noah Kramer writes: The best-preserved version of the story, as noted, comes from Shin-Leqi-Unninni who most likely embellished on the original Sumerian source material. Since The Epic of Gilgamesh existed in oral form long before it was written down, there has been much debate over whether the extant tale is more early Sumerian or later Babylonian in cultural influence. Although Gilgamesh ultimately fails to win immortality in the story, his deeds live on through the written word and, so, does he. The grief of Gilgamesh, and the questions his friend's death evoke, resonate with every human being who has wrestled with the meaning of life in the face of death. Through his struggle to find meaning in life, Gilgamesh defied death and, in doing so, becomes the first epic hero in world literature. Failing to have won immortality, he is rowed back home by the ferryman Urshanabi and, once there, writes down his story. First, he cannot remain awake for six days and six nights and, second, he fails to protect a magic plant a snake eats the plant while Gilgamesh sleeps. He travels through the mountains, over vast oceans, and finally locates Utnapishtim who offers him two chances at immortality both of which he fails. (Sandars, 97)Ĭasting away all of his old vanity and pride, Gilgamesh sets out on a quest to find the meaning of life and, finally, some way of defeating death. Because I am afraid of death I will go as best I can to find Utnapishtim whom they call the Faraway, for he has entered the assembly of the gods. What my brother is now, that shall I be when I am dead.
How can I rest, how can I be at peace? Despair is in my heart. When Enkidu dies, Gilgamesh falls into a deep grief and, recognizing his own mortality through the death of his friend, questions the meaning of life and the value of human accomplishment in the face of ultimate extinction. Most famously, Shulgi of Ur (2029-1982 BCE), considered the greatest king of the Ur III Period (2047-1750 BCE) in Mesopotamia, claimed Lugalbanda and Ninsun as his parents and Gilgamesh as his brother to elevate his reign in the eyes of the people.
Later Mesopotamian kings would invoke his name and associate his lineage with their own. His influence was so profound that myths of his divine status grew up around his deeds and finally culminated in the tales found in The Epic of Gilgamesh. Known as 'Bilgames' in the Sumerian, 'Gilgamos' in Greek, and associated closely with the figure of Dumuzi from the Sumerian poem The Descent of Inanna, Gilgamesh is widely accepted as the historical 5th king of Uruk who reigned in the 26th century BCE. Accordingly, Gilgamesh was a demi-god who was said to have lived an exceptionally long life (the Sumerian King List records his reign as 126 years) and to be possessed of super-human strength. Gilgamesh's father is said to have been the Priest-King Lugalbanda (who is featured in two Sumerian poems concerning his magical abilities which pre-date Gilgamesh) and his mother the goddess Ninsun (also known as Ninsumun, the Holy Mother and Great Queen).